Wednesday, August 19, 2020

Join Me For a Don Quixote Readathon


It is time for another reading of  El Ingenioso Hidalgo Don Quixote de la Mancha. I just acquired an audio edition of the Edith Grossman translation (read by George Guidall, one of my favorite audiobooks readers) and it is finally time to dust it off and listen. Yes, I am reading in English. I have never had the patience to read dense prose in Spanish. But I will have a Spanish edition nearby, just in case. 
 


Don Quixote audiobook cover artI have jumped on the Don Quixote bandwagon. It is one of the best books I have ever read. In its day, it was boundary breaker. Nobody had every written like this, especially not in Spain, where one had to be so careful of what one was saying lest one be hauled before the Inquisition. So much of what we take for granted today, was new ground for readers. Ostensibly, the book was written to discredit books of chivalry, the Harlequin Romance novels of the 15th and 16th centuries. In truth, discrediting books of chivalry was just the jumping off point for critiquing so much more; speaking through the mind and mouth of a crazy person was just a way of getting passed the censor. Yes, the censors. Every book that was published in Spain had to be approved by the Inquisition before it could be published.
 


If you are reading along with me or when you finally decide that you are going to read it, please do yourself a favor: forget Man of La Mancha; forget what you think you know about the story; forget what you may have seen on TV or in the movies. Go into the reading of it with a blank slate. What you are reading was a new kind of storytelling. The artifices of plot and story arc, setting, character development are new ideas still being defined. The borderlines between fact and fiction are fluid; in fact, in Spanish the word for "story" and the word for "history" are one and the same, historia. This is what the novel looked like in its infancy; it was still learning. 

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